The Help (Kindle Edition)

by Kathryn Stockett (Author) : Goto Order Page
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Editorial Reviews

From Publishers Weekly
Starred Review. Four peerless actors render an array of sharply defined black and white characters in the nascent years of the civil rights movement. They each handle a variety of Southern accents with aplomb and draw out the daily humiliation and pain the maids are subject to, as well as their abiding affection for their white charges. The actors handle the narration and dialogue so well that no character is ever stereotyped, the humor is always delightful, and the listener is led through the multilayered stories of maids and mistresses. The novel is a superb intertwining of personal and political history in Jackson, Miss., in the early 1960s, but this reading gives it a deeper and fuller power. A Putnam hardcover (Reviews, Dec. 1). (Feb.)
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From The Washington Post
From The Washington Post's Book World/washingtonpost.com Reviewed by Sybil Steinberg

Southern whites' guilt for not expressing gratitude to the black maids who raised them threatens to become a familiar refrain. But don't tell Kathryn Stockett because her first novel is a nuanced variation on the theme that strikes every note with authenticity. In a page-turner that brings new resonance to the moral issues involved, she spins a story of social awakening as seen from both sides of the American racial divide.

Newly graduated from Ole Miss with a degree in English but neither an engagement ring nor a steady boyfriend, Eugenia "Skeeter" Phelan returns to her parents' cotton farm in Jackson. Although it's 1962, during the early years of the civil rights movement, she is largely unaware of the tensions gathering around her town.

Skeeter is in some ways an outsider. Her friends, bridge partners and fellow members of the Junior League are married. Most subscribe to the racist attitudes of the era, mistreating and despising the black maids whom they count on to raise their children. Skeeter is not racist, but she is naive and unwittingly patronizing. When her best friend makes a political issue of not allowing the "help" to use the toilets in their employers' houses, she decides to write a book in which the community's maids -- their names disguised -- talk about their experiences.

Fear of discovery and retribution at first keep the maids from complying, but a stalwart woman named Aibileen, who has raised and nurtured 17 white children, and her friend Minny, who keeps losing jobs because she talks back when insulted and abused, sign on with Skeeter's risky project, and eventually 10 others follow.

Aibileen and Minny share the narration with Skeeter, and one of Stockett's accomplishments is reproducing African American vernacular and racy humor without resorting to stilted dialogue. She unsparingly delineates the conditions of black servitude a century after the Civil War.

The murders of Medgar Evers and Martin Luther King Jr. are seen through African American eyes, but go largely unobserved by the white community. Meanwhile, a room "full of cake-eating, Tab-drinking, cigarette-smoking women" pretentiously plan a fundraiser for the "Poor Starving Children of Africa." In general, Stockett doesn't sledgehammer her ironies, though she skirts caricature with a "white trash" woman who has married into an old Jackson family. Yet even this character is portrayed with the compassion and humor that keep the novel levitating above its serious theme.

Copyright 2009, The Washington Post. All Rights Reserved.

Review
“The Help by Kathryn Stockett is a story that made me weep as I rejoiced for each of humanity’s small but steady triumphs over hate and fear. I will never forget this wonderful book.”
—Dorothea Benton Frank

“A magical novel. Heartbreaking and oh so true, the voices of these characters, their lives and struggles will stay with you long after you reluctantly come to the end.”
—Robert Hicks, New York Times– bestselling author of The Widow of the South

“I love The Help. Kathryn Stockett has given us glorious characters and a powerful, truth-filled story. Abilene, Minny and Skeeter, show that people from this troubled time came together despite their differences and that ordinary women can be heroic.”
—Jill Conner Browne, #1 New York Times Bestselling Author of The Sweet Potato Queens series and resident of Jackson, MS

“Set in the rural South of the 1960's, THE HELP is a startling, resonant portrait of the intertwined lives of women on opposite sides of the racial divide. Stockett's many gifts – a keen eye for character, a wicked sense of humor, the perfect timing of a natural born storyteller – shine as she evokes a time and place when black women were expected to help raise white babies, and yet could not use the same bathroom as their employers. Her characters, both white and black, are so fully fleshed they practically breathe – no stock villains or pious heroines here. I'm becoming an evangelist for The Help. Don't miss this wise and astonishing debut.”
–Joshilyn Jackson, Bestselling author of Gods in Alabama

“A wonderful book. A compelling and comically poignant tale about three women, and a time and a place that is in many ways very much still with us.”
—Beth Henley, Pulitzer Prize– winning playwright of Crimes of the Heart

“Lush, original, and poignant, Kathryn Stockett has written a wondrous novel. You will be swept away as they work, play, and love during a time when possibilities for women were few but their dreams of the future were limitless. A glorious read.”
—Adriana Trigiani, bestselling author of the Big Stone Gap series and Lucia, Lucia

“Full of heart and history, this one has bestseller written all over it.”
— PW starred review

“This heartbreaking story is a stunning debut from a gifted talent.”
— Atlanta Journal

“It's graceful and real, a compulsively readable story of three women who watch the Mississippi ground shifting beneath their feet as the words of men like Martin Luther King Jr. and Bob Dylan pervade their genteel town. When folks at your book club wonder what to read next month, go on and pitch this wholly satisfying novel with confidence. A-“
— Entertainment Weekly

"[A] wise, poignant novel...You'll catch yourself cheering out loud."
—People Magazine (3.5 out of 4 stars)

"[A] story with heart and hope...A good old fashioned novel"
—New York Daily News

"This book was sitting on my desk and everyone kept coming in and when they’d see it they’d gush about it, “I love this book”. So I brought it home and it didn’t disappoint. It’s very much a book like you would imagine Oprah would pick for her book club. Set in the early sixties, it’s about female friendship and race relations and it’s heartbreaking and heartwarming at the same time.”
—John Searles, The Today Show


Product Description
In Jackson, Mississippi, there are lines that are not crossed. Black maids raise the white children, but no one trusts them not to steal the silver. Aibileen is a black maid, raising her seventeenth white child, but with a bitter heart after the death of her son. Minny is the sassiest woman in Mississippi; she can cook like nobody's business, but she can't keep her lip buttoned. And Skeeter is a white woman with a degree but no ring on her finger. Home from college, Skeeter discovers her beloved maid Constantine has disappeared without a trace. And as different as they may be, these three women will come together for a clandestine project that will put all of them at risk.\n\nBut The Help is not just about race, it's about how women, whether mothers or daughters, the help or the boss, relate to each other. It's about the dramas of domestic life: pride, competition on the cooking and home front complex emotions about the raising of young children, and that horrible feeling that those who look after your children may understand them, deal with them and love them, even, better than you . . .


About the Author
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City, where she worked in magazine publishing and marketing for nine years. This is her first novel.